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The Sarasota Architectural Foundation (SAF) presented homeowner Dr. Barry LaClair with a framed poster of the Cocoon House, aka Healy Guest House, signed by the illustrator and designer John Pirman. This famous Sarasota School home was designed in 1950 by Ralph Twitchell and Paul Rudolph, and is on SAF’s Top Ten Must-See List of midcentury modern buildings in Sarasota, Florida. The house will be featured on trolley tours during SAF’s fourth annual architecture festival, SarasotaMOD, November 10-12, 2017. Event tickets go on sale August 15, 2017. SarasotaMOD.com
Proceeds from the Cocoon House poster benefit SAF’s ongoing programs and will be on sale at the MOD Shop during SarasotaMOD Weekend. For sales inquiries, please email info@SAF-SRQ.org.
Did You Know: In 1953, the Museum of Modern Art (MOMA) in New York City selected the Cocoon House as one of the 19 examples of houses built after World War II as a pioneer design of the future.
The cantilevered roof has steel straps fastened to flexible insulation boards that maintains its curved catenary shape with a sprayed on “cocoon” roofing material.
SAF wishes to thank the more than 60 docent volunteer who have led daily tours of architect Paul Rudolph’s iconic beach house for the past 18 months. Join us for the Closing Party at the Replica on Sunday, April 30th from 2 to 5 PM. Free admission, cash bar. With special guest speakers, house tours, vintage fashion show and a music and dance performance premier. Please RSVP
Enjoy the wonderful photos by Jenny Acheson.
A look inside Paul Rudolph’s masterfully crafted Harkavy House.
At first glance, Paul Rudolph’s Harkavy House is shielded behind latticework lashes, the exterior belying the depth within. Built almost like a Japanese Shinto shrine with overhangs like a warrior’s outstretched arms flying out from either side—the easternmost hidden by the late-2000s addition—the Harkavy House’s interior warrants a sharp inhale upon entering, as you are met with 365 degrees of pure light shining unfiltered into the grand living space.
Janet Minker, chair of the board of the Sarasota Architectural Foundation (SAF), notes that like in all Rudolph designs, he begins with “one small detail and then everything else builds on it.” Here, the building blocks come from walls that aren’t walls, constructed on a symmetrical grid system. Dr. Christopher S. Wilson, a professor of architecture at Ringling College and an SAF board member, says Rudolph would set up a grid that would follow through the entirety of the design. “In the Harkavy House,” he says, “it’s a three-part grid.” In the belly of that grid lies the living area; the rectangular space bordered on the left and right by high-walled sliders, the front wrapped in floor-to-ceiling windows, with ceilings throughout the house held up by long white beams like ribs. What are seemingly solid walls take on the essence of Japanese fusama, sliding walls that open onto a secondary space—in this case, the lush outside. Open both the east and west walls and the living room and kitchen become bathed in a tropical glow, the amount of space itself almost doubled. Though awe-inspiring, the home feels innately comfortable—nothing is so dainty that it may break by simply looking at it, the bones of the structure industrial, hardy and usable.
The home is wrapped in a sort of lattice, a screen, Wilson explains, that helped to provide shade (and privacy) before the days of air conditioning. Go up the original stairs to witness the next parts of the grid; head left into the addition—the wide bay window of the bedroom looks out onto the pool through the crisscrossed lens of the sunscreen, the once visible from the outside arms of the overhang at eye level here. Look down and you’ll see the two-by-fours holding the house up sit perched on cannonballs, a characteristic pulled from the Walker Guest House. Head right off the stairs and you’ll be met with the two original bedrooms, both modest in size, one typified by Rudolph’s classic built-ins, the other by the lattice wrap on the exterior, where sliders open to nothing but a thin screen and salty air. Of the house, Minker puts it simply: “It’s pure Rudolph.”
December 11, 2016
Join the Sarasota Architectural Foundation (SAF) for a self-guided tour of five midcentury modern homes in historic Venice, Florida.
Advance ticket holders may begin the tour at any of the houses on the list and receive a wristband and tour map. On December 11th, limited tickets will be available from 1 to 3 PM at 425 S. Nassau Street only.
Questions: info@SAF-SRQ.org, 941-364-2119
535 Serata Street (1947)
Architect/builder Christopher Magee
Magee had worked under Frank Lloyd Wright building Florida Southern College, yet this house shows more influence of the German Bauhaus movement.
425 S. Nassau Street (1959)
Featured in Atomic Ranch Magazine’s Renovation Issue, Summer 2016
Renovation architect: Jon Barrick
Builder: Rob Dynan Construction
Landscape design: Dane Spencer
512 Valencia Road (1956)
Renovated 2008 − 2010
Architect/builder Jack Bailey
Renovation architect: Greg Hall, AIA, LEED, AP, Principle, Hall Architects, PA
616 Valencia Road (1953)
Architect: Ralph Twitchell
500 Sante Joseph Street (1955)
Architect: Jack Monteith
Photo shown above by David Ortins